Indian activists, journalists snooped on
| | | | | The revelation that Indian security agencies are spying on citizens without any warrants or oversight is significant in itself, but the use of Pegasus in the Bhima Koregaon case is particularly troubling as much of the evidence produced by the security agencies pertains to files ostensibly obtained from the computers and phones of the accused, who have been charged with waging war against the state. |
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| | | | | | Several users have come forward with confirmations that their phones were hacked. A senior government official told the news agency that WhatsApp has been asked to give a detailed response to the entire allegations and the extent of users compromised in India. |
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Worth watching?
| | | | | | | | | | | | | | | At a time where female narratives are largely relegated to gritty and raw explorations of the urban woman, chiefly focusing on their sexual liberation, here is a film that brings together two dazzling actors to present an endlessly inspiring tale of deliverance from societal dogma.
The film’s biggest problem is its linear structure and unmotivated plot progression, which seems hurried and filled with undercooked scenes. But directing woes aside, Saand Ki Aankh is a unique story that is unsurprising yet intriguing.
| | | | | | | | | | | | | | | | | | | Despite an interesting premise and a reliably persuasive performance by the leading man, Made in China fails on both counts: neither is it funny enough to discount its narrative shortcomings, nor is it compelling enough as a social drama to make up for the lack of humour.
The film comes across as a significantly less talented cousin of Vicky Donor, which got the cocktail of humour and drama right. Made in China has sporadic moments that make you vaguely smile but, just like Raghu’s many ideas, the smile never translates into laughs that’d actually give you a bang for your buck. | | | | | | | | | | | | | | | | | | | | | | | | | New to this email? You can sign up here.
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